Tall narrow column — black laminated cardboard at top, cardboard clay below. A strip of exposed corrugation runs between them, and three small knots of red electrical wire sit in a row along it.
The wire is leftover from an installation — another Minneapolis material finding its way into the work. The knots read as punctuation against the dark field. A small gesture, a bit of color, and a nod to the electrical engineer who made them.
